Well, this looks interesting! The Hilaritas Press podcast released today features R.U. Sirius.
Official blurb: "In this episode, Mike Gathers chats with writer, editor, & vocalist/lyricist Ken Goffman (aka R. U. Sirius) about Psychedelic Transhumanism, Singularity, and more.
• • •
"Ken recorded this podcast about two weeks before the passing of his longtime partner Eve Berni. All of us at Hilaritas Press and the RAW Trust give our love and deepest condolences to Ken and all who knew Eve."
The official site has related links, although per usual this podcast should be widely available at the usual apps.
The Kickstarter for the Peakrill Press publication of True Clown Stories, featuring James Burt and other writers, has succeeded, raising £972 versus a goal of £900. I publicized the launch of the campaign in March.
I participated in the campaign with a small pledge, so I'll be getting a digital copy of the book (estimated delivery June) while others will be getting a variety of prizes, including a physical copy of the book (estimated delivery July).
It's interesting to click on Community, and see who backed Peakrill Press publisher Dan Sumption. While most of the backers, 41, came from the United Kingdom, there were nine from the United States, and one apiece from Australia, Finland, Guatemala, Malaysia, Portugal and Switzerland.
Burt and Sumption collaborated on the Mycelium Parish News. You can sign up to get very short stories by email from Mr. Burt.
I enjoyed one of the recent stories, "Lovecraft in Brighton." I had never heard of Ann Quin, referenced in the story, but she was a real writer, formerly more prominent.
I have been meaning to read Raymond Chandler for years, and not just because he was one of Robert Anton Wilson's favorite writers. (In this interview, RAW says, "My favorite writers are James Joyce, Ezra Pound, H.P. Lovecraft and Raymond Chandler.") I was also interested because I like mystery novels in general, and because an old friend of mine has read every one of Chandler's books.
So, finally, I checked The Big Sleep out of the library and read it. I really enjoyed the book. Such good sentences! Chandler's prose, with many funny wisecracks, has a sense of immediacy and vividness that hold the reader's attention. I can also see how Chandler must have influenced later writers, such as Lawrence Block in the Matt Scudder series, which I have been re-reading.
After I read The Big Sleep, I was curious about Chandler's influence on RAW. Eric Wagner's An Insider's Guide to Robert Anton Wilson is very good about tracing literary influences on RAW, and I keep a Kindle of it on my phone for reference. When I looked at the book, it reminded me that RAW wrote about Chandler in The Illuminati Papers. The piece Eric references is "Infinite Cruelty," and it asserts that Chandler "created the unique literary form which is his and his alone, although more widely counterfeited than any other technique but Hemingway's." Eric also finds other RAW quotes about Chandler's influence in Wilson's style and Wilson's way of telling stories. Wilson: "All my fiction tends to follow the Chandler mythos of the skeptical Knight seeking Truth in a world of false fronts and manipulated deceptions. (Of course, this is also my biography, or that of any shaman.)"
RAW apparently read Chandler over and over again, and I certainly want to read more.
Cosmic pancake delivery
R.U. Sirius on Eve Berni: "Eve attended many gatherings of "The Network" ... a group that gathered around Robert Anton Wilson in the 1970s. Is there anyone in the coolest byways of the second half of the 20th century that Eve didn't have some interactions with? Even Bowie and Dali... It's fair to say that she confounded Bob. Hail Eris!" I reported her death Tuesday.
U.S. to withdraw troops from Niger. Did you know they were there?
Jesse Walker on why it's unlikely the government will cut off NPR funding. I selfishly like NPR because I like having classical and jazz radio broadcasts available everywhere I go.
What Tyler Cowen is nostalgic about. I miss the Borders bookstores, too.
[Again. the connection with this blog is that the only literary award, that I know of, that Robert Anton Wilson or Robert Shea ever won was the Prometheus Hall of Fame Award. Also, Robert Shea was an active member of the Libertarian Futurist Society. This is the official press release, minus the last sentence,which has contact information for questions. Anyone with a question can simply ask me in the comments. -- The Management.]
The Libertarian Futurist Society, a nonprofit all-volunteer international organization of liberty-loving science fiction/fantasy fans, has announced five finalists for the Best Novel category of the 44th annual Prometheus Awards.
In brief, here are the Best Novel finalists, in alphabetical order by author: Theft of Fire, by Devon Eriksen (Devon Eriksen LLC); Swim Among the People, by Karl. K. Gallagher (Kelt Haven Press); God’s Girlfriend, by Dr. Insensitive Jerk (AKA Gordon Hanka) (Amazon); Lord of a Shattered Land, by Howard Andrew Jones (Baen Books); and Critical Mass, by Daniel Suarez (Dutton).
Here are capsule descriptions of the Best Novel finalists, explaining how each fits the distinctive focus of the Prometheus Awards:
• Swim Among the People, by Karl K. Gallagher (Kelt Haven Press) — The fifth novel in Gallagher’s Fall of the Censor series (following Captain Trader Helmsman Spy and three other previous Best Novel finalists) continues the struggle between a freer polity of planets and a much larger interstellar empire that maintains totalitarian control by censorship, the suppression of history, destruction of older books and other memory-holing to cement power. This sequel focuses on how a subjugated people on a reconquered planet can continue to pursue and preserve knowledge while resisting an occupying authoritarian regime through voluntary covert organization. Of fresh interest: an exploration of a previously unrevealed society of Jewish culture, maintaining its customs in hiding for centuries; and an early discussion of liquid democracy, as parliamentary candidates seek enough support from some minimum percentage of voters to get a seat with no restrictions on party or geography.
• God’s Girlfriend, by Dr. Insensitive Jerk (AKA Gordon Hanka) (Amazon) — Subversive and satirical, the fifth and final novel in the Gaia’s Wasp series (and sequel to 2023 Best Novel finalist A Beast Cannot Feign) offers a mixture of unorthodox libertarian provocations and Christian eschatology amid taboo-smashing clashes of two cultures: Earth humans and Wyrms, human refugees from another planet. The story revolves around the rising tensions and increasing likelihood of nuclear war between Earth governments, desperate to preserve their power, and the Wyrms, genetically modified to resist disease and political-psychological control. As Wyrms settle Western Australia’s desert, building a radically free colony to survive the End Times, Earth’s rulers scheme to avert social collapse from the loss of millions of the world’s most productive men emigrating to this “Galt’s Gulch.” The novel raises thorny questions about coercion, consent, sainthood, morality, masculinity, femininity, and the use of weapons of mass destruction.
• Theft of Fire, by Devon Eriksen (Devon Eriksen LLC) — Taking place mostly on an asteroid-mining ship diverted to reach what may be hidden alien technology, this chamber-sized space opera is set within an anarchocapitalist-style frontier where industrialization and colonization have spread throughout the solar system. Both formal and informal contracts are central here, with free-market innovations and alien artifacts unleashing vast wealth and progress as independent Belters conflict with enforcers hired by corporate elites. Conflicts (and sexual tensions) develop between the ship’s stubborn captain (a resourceful loner operating as an occasional pirate) and the robot-protected, super-smart, pintsized SpaceX heiress who has taken over his ship and locked him out of its computer controls. Notable for the originality and plausibility of Leela, an A.I. character, the novel offers a complex portrait of the pros and cons of its free-wheeling future while offering insights into agency, ethics, free will, contracts, property rights and other human rights.
• Lord of a Shattered Land, by Howard Andrew Jones (Baen Books) — This epic sword-and-sorcery novel, first of a projected trilogy, revolves around Hanuvar, a grief-stricken former general risking his life to free the enslaved remnants of his peace-loving, free-trading people as he finds allies and travels through a brutal empire filled with human and inhuman dangers. Rather than seeking revenge, Hanuvar embraces a libertarian ethic of non-aggression while striving to avoid harming the innocent. Woven into its rich, far-flung narrative are more than a dozen key scenes underlining the meaning of freedom and why it motivates so many to try to achieve it for themselves and others. Loosely inspired by the conflict between imperial Rome and Hannibal’s defeated Carthage, the saga illuminates the deep passion for liberty while underlining the evils of slavery, the horrors of mind control, the cruelties of tyranny and the temptations of absolute power.
• Critical Mass, by Daniel Suarez (Dutton) — Set in the inner solar system, this fast-paced sci-fi thriller follows engineer-entrepreneurs striving against the odds to use space-mined materials to build infrastructure in space for commercial development. Heroic characters risk their lives in an audacious mission to complete a space station, allowing construction of a nuclear-powered spaceship and rescue of stranded crew members on the distant asteroid Ryugu. The resourceful band must achieve their goals amid shortsighted opposition, censorship, shifting alliances and international tensions of Earth governments. Unusually realistic in depicting the perils of living and working in space, Suarez achieves a high level of plausible engineering speculation. Government is shown as the problem and cooperation through free enterprise as part of a space-based solution to problems on Earth. Included is a plausible depiction of the creation of a functional, private, decentralized currency beyond the reach of Earth, relevant in this era of inflationary government fiat money.
The Best Novel winner will receive an engraved plaque with a one-ounce gold coin. An online Prometheus awards ceremony, open to the public, is tentatively planned for mid-August on a date to be announced, once the winners are known for both annual categories, including the Prometheus Hall of Fame for Best Classic Fiction.
Seventeen 2023 novels were nominated by LFS members for this year's award – a near record, the highest number in this century and the most since the first few years of the award in the early 1980s.
Also nominated: Futureproof, by Stephen Albrecht (Hybrid Global Publishing); Queen Wallis, by C.J. Carey (Sourcebooks Landmark); The Long View, by Mackey Chandler (Amazon); Liberty’s Daughter, by Naomi Kritzer (Fairwood Press); Prophet Song, by Paul Lynch (Atlantic Monthly Press); Julia, by Sandra Newman (Harper Collins’ Mariner Books); House of Gold, by C.T. Rwizi (47North); Victory City, by Salman Rushdie (Random House); Trail of Travail, by R.H. Snow (Rosa de Oro); Black Hats, by Steve Wire (Plaintext Publishing); Hacking Galileo, by Fenton Wood (Amazon); and Misplaced Threats, by Alan Zimm (BookMarketeers).
The Prometheus Award, sponsored by the Libertarian Futurist Society (LFS), was established and first presented in 1979, making it one of the most enduring awards after the Nebula and Hugo awards, and one of the oldest fan-based awards currently given in sf. The Prometheus Hall of Fame category for Best Classic Fiction, launched in 1983, is presented annually with the Best Novel category.
For more than four decades, the Prometheus Awards have recognized outstanding works of science fiction and fantasy that dramatize the perennial conflict between Liberty and Power, favor voluntary cooperation over institutionalized coercion, expose the abuses and excesses of coercive government, and/or critique or satirize authoritarian systems, ideologies and assumptions.
Above all, the Prometheus Awards strive to recognize speculative fiction that champions individual rights, based on the moral/legal principle of non-aggression, as the ethical and practical foundation for peace, prosperity, progress, justice, tolerance, mutual respect, civility and civilization itself.
All LFS members have the right to nominate eligible works for all categories of the Prometheus Awards, while publishers and authors are welcome to submit potentially eligible works for consideration using the form linked from the LFS website’s main page.
A 12-person judging committee, drawn from the membership, selects the Prometheus Award finalists for Best Novel. Following the selection of finalists, all LFS upper-level members (Benefactors, Sponsors and Full Members) have the right to vote on the Best Novel finalist slate to choose the annual winner.
Membership in the Libertarian Futurist Society is open to any science fiction/fantasy fan interested in how fiction can enhance an appreciation of the value of liberty and recognition of the dangers and evils of tyranny and the abuses more prevalent under centralized and coercive powers of the State.
For a full list of past Prometheus Award winners in all categories, visit www.lfs.org. For reviews and commentary on these and other works of interest to the LFS, visit the Prometheus blog via our website link.
The latest release from Hilaritas
A New York Times story, "Hundreds of Small Presses Just Lost Their Distributor. Now What?," says that many small presses are being hurt by a company named Small Press Distribution suddenly going out of business. The news leaves "the presses scrambling to retrieve their inventory before the books were destroyed and wondering if they’d ever be paid the money S.P.D. owed them for past sales," the article says.
As a book lover I liked small presses in general, but the news left me wondering how the demise of S.P.D. would affect one small press in particular, Hilaritas Press. So I asked Rasa, and he assured me Hilaritas is fine.
"Well, that’s not good news, but it does not affect us at all. We use Ingram, a powerhouse in the industry, and we also publish most of our books with Amazon as well. Ingram supplies all the ebook sellers but Kindle, and they supply brick and mortar stores around the world. We also publish through Amazon just because we get about twice as much in royalties from sales on Amazon.com when the book is published through KDP.
"Recently, Ingram decided to not charge any fees for uploading files. That’s pretty wonderful for us. We are counting every penny, and if we had typos to correct, we always had to pay $25 to upload any new file. That would be $50 to upload the print and ebook corrections. They also used to charge for the initial upload of any file, so now that they got rid of those fees, we feel a lot better about that one expense being gone."
"Reading is an act of submission."
-- Lionel Shriver, Mania, page 268.
I have certainly submitted to the charms of Lionel Shriver. Our best living libertarian novelist has a new one out; let's see if Lionel Shriver can contrive to lose the Prometheus Award again. The new one is Mania, a dystopia in which libertarians have been reduced to a tiny underground of folks who dare not declare their ideas openly.
In Shriver's novel, equality has been reduced to insisting that all idea of intelligence, merit and competence should be tossed out and no one should be allowed to pretend to being smarter or better than anyone else; "Mental Parity," as the movement is known, is billed as the last great civil rights crusade. But although Mania is "political," it can also be read as a novel about getting along with people who have political opinions different from your own; there are also some good criticisms of libertarians, and people who have the "libertarian" mindset.
I've now read three Shriver novels; I plan to read more. Wish me luck in trying to get an interview with Shriver.
Art by Eve Berni, posted on X by Ted Hand
We are sorry to have to pass on bad news, but Eve Berni, the longtime partner of R.U. Sirius/Ken Goffman, has died.
Posting on Twitter/X late Monday night from @StealThisSingul: "I am sad beyond words to report that my partner of 26 years (Jacqueline) Eve Berni has left us. She died at around 1230 pm today in Marin General after many years of poor health and about a week of extremely poor health. I'll share some details soon. I'm in a state of total shock, deep sadness and some relief that the extreme suffering of the past week or so has ended.
"I love her so much."
From Ted Hand: "RIP Eve Berni, the amazing partner of @StealThisSingul and an accomplished visionary artist. I will have to dig for the photos I took of her work. Here is a sample from her Facebook page. I will treasure my time hearing her stories about Jacques Vallee and Uri Geller."
Although I can't remember it ever being discussed by RAW fans, one of the best things Robert Anton Wilson ever did, at least in my opinion, was to speak out loudly and clearly against the 1980s "Satanic panic" which sent quite a few innocent people to prison. In "Trajectories" pieces reprinted in Chaos and Beyond (recently released by Hilaritas Press), RAW wrote angry denunciations of the McMartin preschool case, prosecuted in supposedly progressive California by a Democratic district attorney, Ira Reiner, and other Satanic panic cases. (See the pieces "Sex, Satanism and Sodomized Dogs" and "1994 Update" in Chaos).
I am old enough to remember these prosecutions and I thought they were bullshit, but as RAW writes, there were plenty of true believers. This Wikipedia article summarizes many of the cases. Also, shoutout to Dorothy Rabinowitz, who was a brave voice of sanity at the Wall Street Journal.
The New York Times has now published an obituary for one of the villains in the Satanic panic, Bennett Braun. Hat tip to Jesse Walker, who spotted the obit and quoted this memorable sentence: "I began to add a few things up and realized there was no way I could come from a little town in Iowa, be eating 2,000 people a year, and nobody said anything about it."
[I love to read Robert Anton Wilson quotes that discuss Beethoven, and the short piece below was new to me. The below also seems pertinent considering the use of Beethoven in Reality Is What You Can Get Away With. The only problem is while I have listened to all of the Beethoven piano sonatas, all of the symphonies, all of the piano concertos etc., I had not listened to the Missa Solemnis. I am fixing that now with a Szell/Cleveland Orchestra recording. The below is from Robert Anton Wilson's column in New Libertarian, Volume Four, Number Eight, December 1990-February 1981, and thank you again, Chad Nelson -- The Management]
Art and Morality
I was once denouncing Alfred Hitchcock to an Oxford intellectual. (There is a great deal I admire in Hitchcock's work, of course.)
"Oh," said the Oxfordian in that tone the English always use in talking to Americans who dare to have opinions about art, "you believe in art as Moral Uplift."
Well, yes, as a matter of fact, I do. In fact, to reveal the full abysmal depths of my heresy, I think the greatest art only comes from hearts and minds enflamed by a passion for the sublime in all dimensions, including the moral dimension.
Beethoven considered his greatest works to be the Missa Solemnis and the Ninth Symphony, and many intelligent musicologists agree with him. I don't think those towering Matterhorns of music could have been composed without a great passion for Utopia. After all, the Missa ends up with voices crying out for Peace, and the Ninth with a hymn to human brotherhood.
So, I finally finished the new Hilaritas Press edition of Reality Is What You Can Get Away With. It's one of the few Robert Anton Wilson books I had not read before. The main body of the book is in the form of a screenplay, with two prefatory pieces by Wilson and a new introduction for 2024 by Joseph Matheny.
It did not seem much like a conventional screenplay, more like a montage of many of Wilson's concepts and ideas. For me, and perhaps other people quite familiar with RAW's work, it seems like a useful and inspiring summary, with a satisfying ending. Some of the depictions of the female characters do not age particularly well. Matheny, in the new introduction, hopes that somebody finally will attempt to make a movie out of it. If that happens, it would be really interesting to see if people new to Wilson manage to make any sense of it. I liked the book and felt like I got my money's worth for the purchase, but it probably doesn't rank as one of the most important RAW books for me.
I liked the new Joseph Matheny introduction quite a bit, and I'm going to explain a couple of his sentences for the sombunall of you who may not know his work well. He writes, "This work can be read as a novella disguised as a fully functional movie script .... looking at it in this way inspired me to write a novella disguised as a movie treatment (the work that precedes a script) many years later."
There's no further explanation, but it's a reference to Liminal, the first book of Matheny's Liminal cycle, which I recently read and enjoyed. It's $3 on Amazon. I read it as a digital horror story; it's been described as a "mind virus." I plan to read the other two books in the trilogy soon.
I'm curious how Reality fits in the RAW canon for everyone else.
